Title

America: il racconto di un continente | América: el relato de un continente

Description

Il carattere poliedrico delle letterature dell’America Latina assume, in questa raccolta, la forma di un itinerario che mostra espressioni estetiche plurali ed eterogenee. L’obiettivo del libro è pensare, ancora una volta, all’identità culturale del continente, aperta e in constante sviluppo, attraverso una riflessione che considera punti di vista inediti e un approccio interdisciplinare. | El carácter poliédrico de las literaturas de América Latina adquiere, en esta colección, la forma de un itinerario que muestra expresiones estéticas plurales y heterogéneas. El objetivo del libro es pensar, una vez más, en la identidad cultural del continente, abierta y en constante desarrollo, a través de una reflexión que considera puntos de vista inéditos.

Subject

Peruan literature | Self-reflexivity | Gender | Nueva Canción Chilena | Graphic novel | México | Pampa Gringa | Policies of memory | Conquest in the media | Power | Literary fiction | Mexican Conquest | Samanta Schweblin | History of reading | José María Arguedas | Mauricio Rosencof | Mauricio Magdaleno | Monteiro Lobato | Globalised societies-multiple identity | Intertextuality | Queer | Biography | Ernesto Che Guevara | American myth | Detective stories | Luis Martín Guzmán | Unspeakable | Latin-American boom | Manuel Gálvez | Indigenous | Jorge Enrique Adoum | Situated poetry | Documentary photography | Belizean Maya culture | Gastón Gori | Dystopian fiction | Romance | Historical translation | Cuba | Mexican Revolution | Self-translation | Churubusco | Literature of the self | Italian emigrant-individual crisis | Chile en monte | valle y mar | Columbia | History of women | Silvina Ocampo | Religious syncretism | Short story | Post-dictatorship Argentine culture | Urban novel | Science-fiction | Narrative journalism | Mario Vargas Llosa | Utopia | History | Mexican-American war | Centroamérica | Amado Chan | Conqueror | Body | Geopoetics | Horacio Quiroga | Traumatic past | Contemporary Argentine narrative | Enrique Bernardo Núñez | Historical poetry | La cicatrice | La sed del ojo | Neo-baroque | Minorities | Argentine Pampa Gringa | Ecocriticism | Graphic journalism | Malvinas War | Autobiography | Illustrations | Carlos Sabat Ercasty | La virgen del Samiria | Los Calchakis | Poem | Reception | Bolivia | Reinaldo Arenas | Sixteenth and seventeenth century historiography | Self-fiction | Albert Bensoussan | Amparo Dávila | Identity | Literature | Pablo Montoya | Nomadic subject | Migration | Conquest | Modernity | Posthuman | Maya poetry | Guadalupe Nettel | Contemporary Argentinian literature | Andean music | Fray Marcos de Niza | Synthesis | Rosa Chávez Juárez | Encounter | Jorge Ibargüengoitia | Lima | Quechua | Marcela Turati | Migration studies | Narrative space | Spanish Empire | Mini-fiction | Briceida Cuevas Cob | XXI century | Hybridisation | Uruguayan poetry | Female identity | Andrea Ferraris | Science fiction | Dictatorship | Río de la Plata | The Neighbourhood | Latin America | Private journal | Unheimlich | Cultural exchanged | Maya Cu | Migratory literature | Colonization | Female writing | Amazonian literature | Theatre | Irrepresentability | Mestizo | Rewriting | Cinco esquinas | Oscar Martínez | Fernando Monacelli | Neorealism | Mini-fiction in Peru | History and myth | Contemporary Argentine literature | Paiche | Luis de Miranda de Villafañe | Monster | Homosexuality | Inti-Illimani | Mayan poetry | Travel books | Realism | Fernández de Lizardi | Theory of mini-fiction | East and West Indies | Fernando Birri | Los derrotados | Amerindian women | Textuality | Autobiographical genre | Metamorphosis | Otherness | Escuela de Santa Fe | Novel | Aníbal Quijada | Cry of ‘Ajetreo’ | Literary theory | Exile | Myth | Poetic language | Siete Ciudades de Cíbola | Falklands War | Belizean literature | Landscape | Oral history | Illness | Peruvian literature | Testimony literature | Intimism | Selective traditions | Religions | Italian reception of Latin-American music | Lina Meruane | Historic novel | The Notebooks of the Earth | US-Mexican border | Objects | Multiculturality of Belize | Venezuelan literature | Cultural identity | Central America | Corporality | Memory | Autofiction | Translation | Julia de Burgos | Literature and photography | Drug trafficking | Environment | Pornographic Photography | Mariano Azuela | Mexicas | Pearls exploitation | Hierophany | Mario Bellatin | Image of the Native American | Cultural memory | Francisco Vázquez de Coronado | Creative Friendship | Cono Sur | Diamela Eltit | Immigration | New World | Reportage | Pablo Escobar | Fantastic literature

Publisher

Fondazione Università Ca' Foscari

Date

2019

Identifier

DOI: https://doi.org/10.30687/978-88-6969-319-9

Type

Text

Format

PDF

Language

pt

it

es

Source

https://directory.doabooks.org/handle/20.500.12854/134543

Relation

Biblioteca di Rassegna iberistica 23

Rights

CC BY 4.0

Educational Level

Higher education | research

Interactivity Type

Expositive